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Coming into a new fandom can be a challenge. So below is a list of resources about Roswell, New Mexico to get you started!

General

Aggregators

  • Roswell, New Mexico Fandom Events - https://rnmevents.tumblr.com/ - A blog listing and promoting any Roswell, New Mexico events.

  • RNM Fan Vids - https://rnmfanvids.tumblr.com/ - links to RNM fanvids on Tumblr and YouTube.

  • Roswell, NM Source - https://roswellnmsource.tumblr.com/ - A fan-run source blog dedicated to CW's Roswell, New Mexico. Tracking #roswellnmsource & #roswellnmedit

  • Roswell, New Mexico March for Meta - https://rnmmarchformeta.tumblr.com/ - (This one technically isn't an aggregator but an event blog. But it will give you a good idea of who the meta writers in the fandom are.) We are asking you to put on your analyst hat and share your meta thoughts on everyone’s favorite alien drama. The prompts are made with analysis in mind but all contributions are welcome. Tag your posts with #roswellmarchformeta2021 or #rnmmarchformeta2021

  • Roswell Details - https://roswelldetails.tumblr.com/ - Outlines the major plot points, issues, mysteries, lore etc for each episode. A great way to deep dive into each episode.

Social Media

Twitter

Instagram

Tumblr

Discords

  • Roswell 18+ - This is 18+ in the sense you need, to be over 18 yrs to join. It isn’t a free-for-all - it is an adult friendly space.

    This server is for all aspects of the Roswell, New Mexico fandom - it's a multi-shipper friendly server with spaces for creators such as writers, artists, vidders etc. There are also channels for mythology, meta, and off-topic social discussion.
  • Literal Skeletons - A server for new and old fans alike dedicated to flailing over our favorite alien cowboy show, the CW's "Roswell, New Mexico."

Archive of Our Own (AO3)

larenoz: (Default)


This is going to be a mix between fic review but mainly personal reflections on the stories. I promise no coherence or consistency whatsoever. Think incoherent ravings of a mad woman. It’s basically going to be raving about how much I love this series of stories. There will be sort-of spoilers. As always, read the tags and notes on the fics people.

Part 1 - tuck my hair behind my ears and touch my soul - Alex/Kyle, Michael - Kyle POV
 
This story kicks off my favourite Roswell, New Mexico fic series. It hooked me from the opening line, which is one of the best ever in the fandom, setting the scene perfectly - "It starts at the Wild Pony, that breeding ground for bad ideas."
 
This story is told from Kyle's POV and introduces us to an Alex and Michael who have found their balance, with themselves and with each other in a relationship with some dom/sub dynamics. It's a relationship that they invite Kyle into, initially for the night. While there's play with power dynamics and some angsty bits, the overall feel of this fic is intense but light? 
 
It's about everyone getting what they need, and in Kyle's case finding out what that need actually is. The characters are so spot on, an easy to believe extension of the characters we've seen on screen and come to love. 
 
Even when things get sexy and filthy and intense, there is still an underlying tenderness between the three of them that I just love. It's the combination of filthy hotness, believable characters and emotional connection that is complete catnip to me in a fic. 
 
There is a wealth of little details that give so much depth (story, character, emotions) to what is essentially an extended sex scene. In fact, they barely touch, the intensity generated by the emotional and mental connections that all three characters make. 
 
Part 2 - what yields the need for those who lead us - Alex, Kyle/Michael - Kyle POV
 
Kyle is back for another night with Alex and Michael, but with the D/s and physical aspects of the relationship turned up to 11. This one sees all three of them getting into the sexy action. 
 
But while the fic is smutty, Kyle never treats the underlying relationship that he is invited into as anything other than significant, and about so much more than sex - "I can do casual, but nothing about this feels casual to me." 
 
Both of these stories give us a slightly different take on the characters we already know. Alex’s iron control is re-purposed to give chaotic, adrift Michael freedom - by giving him boundaries, and to give Kyle freedom - by letting him give up some of the responsibility he carries everyday. Everyone gets something they need.
 
Part 3 - i just ask you to be patient - Michael/Kyle/Alex - Kyle POV
 
This story is about what comes after the amazing, kinky, hot sex. What happens when sex is off the table and they need to rely on their words? What happens when you put three people who’ve had their worlds shattered in different but inter-connected ways - together, trying to build something new? What we get is two steps forward and one step back. But that makes sense with these characters. Mis-steps through self-sacrifice and doubt. Not feeling worthy of love. The fear that comes with opening up your heart to other people. 
 
“I didn’t want to....take up too much space.” I mean, jesus. These boys.
 
Part 4 - a bookend to the weirdest of weeks - Michael/Kyle, Alex - Kyle POV
 
This one is all about Kyle. Not many fics have explored the impact of the revelations about Jim and Rosa on Kyle. What we’ve seen in the show hints that he has a really good relationship with his parents, probably the best out of all of the humans and so he had the most to lose when he found out the truth about Jim and what he did at Caulfield. This fic looks at how he deals with that and its specific impact on his relationship with Michael. 
 
Basically Kyle is a big ball of inherited guilt in this one. 
 
How do you build a relationship on the ashes of your fathers’ actions? How does Kyle deal with having “...two Jim Valenti’s living side by side in his mind to grieve…” In some ways it’s the perennial story of the parent we knew as a child versus the parent we see when we are adults. But it’s also about how do you reconcile your love for a parent when they have done something that has destroyed another person you love?
 
“Caulfield shattered Michael.” 
 
How do you grieve and think about forgiveness in those circumstances? How do you build on the ashes?
 
Part 5 - it’s a postcard, i’m settled - Kyle/Alex/Michael 
 
Domestic bliss, Michael loves a challenge and filthy, filthy smut. I love it.
 
Part 6 - the stumbling phase of the midnight waltz - Michael/Alex, Kyle - Michael POV
 
Not gonna lie, this one sort of hurts. This one is Michael slowly falling apart when Alex and Kyle aren’t there to help hold him together. Where Michael’s fear of abandonment led to some poor decision making, “...he left his phone under the bed, so the weight of silence didn’t hit so heavy.” He can pretend that he’s missing the calls because his phone isn’t there, not because no one is calling (even when they are).
 
Michael in this fic is just so fragile. It’s not an uncharacteristic version of Michael, but rather a version that we only ever see in flashes, easy to miss or ignore. But here, with nowhere to run and no one to hide behind, we see that fragility in its many forms. We know from previous fics that this Michael has been shattered by the events of his life and in this story we see those fractures grow and become more obvious.
 
But of course Alex, he sees and asks so gently “May I touch you?”, followed by “Are you ready for me to tell you what you need?”. Ahh, I love these boys.
 
Part 7 - blink back to let me know - Alex/Kyle - Alex POV
 
This one takes place immediately after the stumbling phase of the midnight waltz (previous fic). Alex is reaching out to Kyle for support, feeling raw after taking care of Michael. And Kyle uses his superpowers - communication, calm and support - to help Alex get back where he needs to be. This is an exploration of some of Alex and Kyle’s insecurities of brokenness, weakness and not belonging. But also of pieces fitting together.
 
Part 8 - i’ll be your key - Alex/Michael/Kyle - Michael POV
 
This is a story of spikiness and sharp edges. Of the fear and anger and frustration that comes with physical danger and not being able to protect the people we love. I love Michael’s concern for Kyle, his need to touch him, to make sure he’s alright but also his uncertainty that he is allowed to. Of Alex’s fear and anger at Kyle getting hurt, that it is his fault, a failure to protect him. Of Kyle’s frustration at tough guy bullshit and professional compromise. They are in a place where they are still finding their way, but are certain enough to tell each other the truth, but still living with the weight of legacy, guilt and insecurity.
 
But also where once they are sure Kyle is safe, Michael can be his dickish but likable self. 
 
Part 9 - tender, frantic, life-affirming - Kyle/Alex/Michael
 
This is all about the “tender, frantic, life-affirming sex” that Michael was angling for in the previous fic, but with a slightly lighter tone than the description would indicate.
 
Like so many of the stories in this series, even when we’re getting top shelf smut (which this is), we also get these small glimpses of the characters that gives them another texture, more depth - be it Alex’s sweet-shark smile, Michael being completely out of it or Kyle’s being overwhelmed. 
 
And I’m not gonna lie, I’m totally here for the dynamics in this one, which are masterful. Alex at his bossy, dommy best, Michael melting at being able to let go and just be, and Kyle giving and taking as needed.
 
Part 10 - say what’s on your mind - Kyle/Michael - Kyle POV
 
Names can be weapons, names can be shields, names have power - names are important. 
 
This story always hits me hard because name fics involving these characters are my kryptonite. I love them. This one is about Kyle and Michael calling him Doc. Because Kyle knows how much Michael fears hospitals, he questions why Michael calls him Doc. Kyle feels guilty, Michael thinks he’s fucked up, Alex drops everything to help. They are back to sharp edges, guilt and fear. I want to give them all hugs and a good talking to. 
 
Kyle runs, and Michael, god, Michael, he needs another fucking hug. 
 
But then, such heartbreaking tenderness and care.
 
Part 11 - give me all you’e got - Alex/Michael/Kyle 
 
Michael is getting better at asking for what he needs, and what he needs is Alex calling the shots for him and Kyle. Alex is happy to oblige. Porny, porn with feels. 
 
Conclusion
 
While the series is definitely about the three of them, it’s one of the few that explores in depth what a relationship between Michael and Kyle could look like. What the dynamics and emotions of that would look like, how they would both deal with not only their personal histories, but with the weight of family legacy.   
 
I love this series because we get angst and pain and hurt but we also get love and tenderness and protectiveness. We get harsh words but also soft touches. In a story about how three people find their balance with each other, the writing is perfectly balanced.  
 
I love everything about this series. It’s hot, it’s complicated, the characters read true and have depth and flaws and tenderness. It’s believable. It has everything I want in a fic. It really is word perfect. Go read them!!
 
open up my eager eyes by @haloud​ - https://archiveofourown.org/series/1353715






larenoz: (Default)
Epiphany time.

I just worked out why a lot of the Carina hate annoys me so much.
 
A lot of the criticism of Carina focuses on her not addressing various issues raised in the show in enough depth. On the surface this is a valid concern. But, and it’s a big but, Carina is being punished for doing a really important thing that we complain is so often lacking in film and television - diversity.
 
She has given us a very diverse cast of characters in terms of race, ethnicity, class, sexuality, education, ability.
 
She has given us a diverse cast of actors in terms of race, ethnicity, sexuality (and possibly other things).
 
She has given us a diverse story line addressing some serious social and political issues that are impacting people right now - racism, homophobia, bisexual visibility, immigration, health and education inequality, inter-racial relationships, scientific independence, women’s rights, redemption as an achievable goal etc
 
Roswell, New Mexico is the intersectional show we’ve all been demanding and now that we’ve got it people seem to spend all their time complaining how it’s not perfect or intersectional enough or something.
 
There is never going to be enough time for the show to deal with all the issues it raises in the detail/depth they deserve. That’s just a matter of practicalities. The only way for that to happen would be for each character to get their own show, each with a 3 season run.
 
But sometimes it’s enough for a show to just give an issue a positive representation, even at a superficial level (DM me if you want me to rant at you about why I will forever love Shemar Moore and SWAT).
 
Imperfect representation is better than none - as long as it doesn’t turn into stereotypical or damaging representation (and yes, perfect would be better but sometimes it’s dolly steps). That naming of something can be the all important foundation that others can build something better, something deeper on.
 
I’m not saying that Carina or the show is above criticism. There is always room improvement. And there have been some issues or representation that she admits wasn’t done well and that will need to be corrected.
 
And when there is criticism of it’s often vague and not specific. They generally boil down to different versions of “she’s not writing the character how i want them to be.” And it’s fine to feel that way but let’s not act like it’s anything more than an opinion. 
 
Yes, Carina can be frustrating but she’s given me what I know is going to be one of my favourite shows ever, so I don’t really care. 

(Comments encouraged and welcome)

larenoz: (Default)
 Shortest meta ever. 
 
One observation about Michael and Alex’s dance that I interpret differently to a lot of people in fandom is why it is that Michael never chases after Alex or rarely initiates things between them. 
 
It’s consent.
 
Nearly every interaction between them in S1 ends with some form of Alex telling them they aren’t together and that he doesn’t want them to be together. This isn’t an anti-Alex comment, it’s just how their interaction play out. 
 
Michael not chasing after Alex or not initiating contact is then interpreted as him not caring as much. But I think it’s the very opposite. Michael is someone who has had his agency and consent denied for a lot of his life. And he’s seen the same thing happen to Alex. 
 
So when Alex says they’re over, or that he doesn’t want Michael around, Michael respects that. He takes Alex at his word. He respects Alex’s wishes. Because explicit consent is important to both of them. 
 
Pursuing someone who has said they don’t want you to isn’t romantic, it’s dis-empowering and disrespectful. 
 
So I see Michael listening to what Alex wants and respecting that as a sign of strength, because we know how much he wants to be with Alex. But he respects what Alex wants, even when it hurts. And that is strength, not weakness. 
 
OK, not such a short meta after all.


(Comments welcome and encouraged)
larenoz: (Default)
 One of the things that I think draws Michael and Maria to each other is that they both identify as outsiders, and they are both looking for something “easy”.
 
When Maria is talking to Liz (after Alex has called Liz out for being a bad friend for not knowing what was going on in Maria’s life), she talks about how she wanted to be the fun friend. She doesn’t want to put her problems on other people. She’s been brought up as a self-reliant, independent woman, raised by a single mother who was also self-reliant and independent (which we learn is a family trait).
 
While she had a loving and happy home life, she still had a sense of not belonging. She grew up feeling like her and her mum were the only black people in the world. Which probably reinforced her sense of both independence and isolation. While Maria is more integrated into the community as the owner of the locals bar, you get the feeling that she still feels somewhat isolated from the rest of the community, apart in some way. Which is why she’s so happy when her people - Liz and Alex - return to Roswell.
 
Michael is also very reluctant to let others know he is struggling or needs help (understatement of the YEAR). Michael has had to become self-reliant in order to survive. He puts up a front of self-reliance and toughness, that he uses to protect himself both physically and emotionally. If he doesn’t let anyone in, they can’t hurt him.
 
But also for Michael, his self-reliance and independence is framed in terms of an overwhelming need to not be a burden to those around him. I can hear more than one of his foster parents calling him a burden, not worth the money that looking after him brings in. And this has carried over into his adult life. He parses all his relationships by what he can bring to them in terms of usefulness. Because that’s the only experience he has - that people only want him around for what he can do for them. His experience of love and affection has always been conditional. This sort of plays into what I think is Michael natural helping/service orientation. And it just doesn’t occur to him (and why should it, given the majority of his experiences?) that people might want him around because they like him.
 
So Michael makes decisions based on not being a burden to people, afraid that if he becomes too much trouble, they will cut him out of their lives - often by leaving him - either physically or emotionally.
 
And this whole mind-set is then reinforced by the need to keep a low profile, to not stand out, to be as ordinary as possible. All of which means not asking for help, dealing with things by himself.
 
So for both of them, the other person is someone uninvolved in their issues. Michael really doesn’t know much about what is going on with Maria (apart from knowing that Mimi “wanders”) and Maria obviously has no idea about the alien thing (and is only now just beginning to get an idea of where Alex fits in Michael’s life). So compared to everyone else, to each other they are basically baggage/burden free. Michael can be just the rough and tumble local mechanic who drinks a little bit too much and Maria can be the fun and sexy local bar owner. They know each other enough to be interested but not enough to bogged down by the past.
 
But it is a relationship essentially built on lies of omission. And when those unvoiced truths become known, then the easiness of their relationship will become just another complication.

(Comments always encouraged and welcome)
larenoz: (Default)
 First off, this isn’t a post about having a go at Alex but he is the focus of the post so other characters actions aren’t addressed. The comments on this post are specifically about Alex’s actions in this ep only. Holding Alex to account for his actions is not blaming him for his actions. I love Alex Manes. He is a great character whose been through a lot. But you can be a great character while still having flaws (all the great characters do, it’s usually an integral part of what makes them great). So this looks at one sequence in the show where Alex unintentionally hurts someone else. It doesn’t make him a bad person, but it is unrealistic and does a disservice to his character to ignore those flaws and the consequences they bring. Because it is working on, and overcoming our flaws that let’s us be better people. 
 
Some thoughts on Ep 3. The thing that makes the drive-in scene so painful is that it starts off so hopeful. Alex knows he hurt Michael earlier at the Airstream when Isobel turned up. He didn’t mean to, but when he so emphatically shut down the idea of Michael telling Isobel about them, he just added weight (unintentionally) to Michael’s sense of not being good enough, of not being public worthy, of being good enough to fuck, but not good enough to be seen in  with.
 
So when Alex comes up to Michael at the drive-in, making the first move, I think he does so with the best of intentions. He knows he hurt Michael and this is him attempting to make it up to him. To show him he’s not afraid to be seen with him in a very public setting - one tied very closely to both of them - Isobel for Michael and the military for Alex.
 
The framing of the whole drive-in sequence is interesting. Unlike so many of their interactions, this one takes place in outside in daylight. Alex is wearing light cloths (white patterned shirt, light denim jacket - so different to the dark, blend in colours he usually wears), it’s a fun family event. Everything says lightness, happiness, fun. It’s as positive environment as they have ever been in together. 
 
Yet, as the sun sets and the light darkens, so does the mood. We know what’s coming as soon as we see Alex and his father interact. The bile that Jesse spouts has just enough truth in it to get its hooks into Alex. He knows what his father is, he knows what he’s capable of, yet even knowing all this, Alex succumbs to it. Because despite everything that has happened, Alex still isn’t ready, he still isn’t able to break away from his father. He is a work in progress. He’s still fighting that battle, he is yet to win it.
 
And this is what makes the whole sequence so heartbreaking. Alex has gone in with the best of intentions to do right by Michael, but all he succeeds in doing is wrecking him further. Raise his hopes, then dash them. And the absolute worst part is that Michael isn’t surprised - he’s resigned. He hoped for a different outcome but he didn’t really expect it. But even knowing all this, he still let Alex in, he still gave him another chance. And he always probably will, because for Michael, Alex is that person, the one person he will never be able to deny, because as he so simply states, they’re cosmic.

(Comments encouraged and welcome)

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